Tuesday, 16 November 2021
Wednesday, 29 September 2021
a cheeky (forced) level 2 art portfolio update
As my portfolio due date nears closer and closer I'm working towards completing the second panel on my board (technically the first). To remind you, my kaupapa this year is flowers, and I'm basing it on the artist models Vincent Van Gogh, Mimmo Paladino, Jim Dine, and Yuzuru Hashimoto, among others to likely come.
This is my planning sheet for my second panel:
Wednesday, 5 May 2021
L2 painting update | T2W1
Through the holidays I worked on building up some ideas for painting, based around my kaupapa and based off of my artist models - Vincent Van Gogh, Mimmo Paladino, Marilynn Webb. The idea I worked on the most and developed further is a painting inspired by Mimmo Paladino which I've since titled 'Smell The Roses'.
1st thumbnail sketch- very rough idea
Monday, 8 March 2021
L2Art Week 8 update | Building up my folio board
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| Second artwork - still life :) |
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| First artwork - tree :) |
For the past week I worked on these three paintings, white acrylic on black gesso, to develop my understanding of the technique of negative space for my folio. The first works especially link into my theme of environmental protection and kaupapa of mindfulness. The skeleton is less obviously linked but it still helped a lot with developing a better understanding of highlights, shadow and light sources.
What is my Kauapa: three key words
Landscapes, fruit, environment
What artists have I looked at so far?
Vincent Van Gogh (so far!)
How does my work show that I considered Negative space?
My work uses negative space because I’ve specifically chosen a “point” where the light source is and used high contrast between light and dark areas, so most of the subject matter is shadowed but you know it’s there because of the highlights.
What has happened in the making process that led me to new ideas around negative space once the works were made?
This has given me a better understanding of how I can effectively use negative space but still keep a high level of detail. Eg. negative space doesn’t have to be as simple as I thought, and I can generate great art using it. I’ve also learned a lot about light sources, highlights as well as shadows.
What can I do to go further with my work?
Introducing colour, backgrounds, keeping fruit as a visual symbol throughout my folio board. I also want to start looking at my other artist models, Marilyn Webb and Mimmo Paladino, and generate works that I've incorporated some of their elements into.
Saturday, 20 February 2021
L2Art / Week 1+2 update
In Weeks 1 and 2 I've been working on choosing my theme and developing a kaupapa branching off of that.
The theme I've chosen is environmental protection.
This could look like:
-Landscapes (rural)
-Cityscapes, landmarks, houses, villages
-Genre painting
This could include (subject matter):
-Trees
-Water
-Grass, flowers
-Houses
-Fruits and foods, still life
My board this year, visually, will be inspired by artists Vincent Van Gogh and Claude Monet- these are both very famous landscape painters so it fits into my theme very well. My board will revolve around mindfulness.
This is a moodboard I created from a variety of artists. As you can see they are predominantly landscapes or cityscapes, people have been included in some of them.
I think this moodboard really sets the tone on how I want my folio to look this year.
The artists I've chosen for 2.1 is Vincent Van Gogh, Mimmo Paladino and Marilynn Webb.













