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Tuesday, 28 July 2020

Term 3, Week 2 L1 Portfolio update

I am working towards completing my art portfolio, my kaupapa is 'nightmares' - some of it will be based off my own nightmares, some will be based off of fears people might have. I am aiming to include watercolour, pastels, pencil and charcoal on my portfolio.


A quick sketch of what I want a possible future piece to look like, I based this off of the 'evolutionary' photos I've seen sometimes, of the different stages of human evolution. The sketch depicts a woman through four stages-  kind of like how a night turns from fun and fooling around to regretting the whole thing, feeling sad and lonely as she lies by herself. I want the sketch to show a woman through the stages of a night, the final piece will likely not be as provocative and I want to include both wet and dry media - charcoal and pencil, as well as including some red watercolour paint. 'Girls on Film' just so happened to be the song that I was listening to when sketching it. 






Probably the closest piece to finishing and a piece I'm proud of, this is based off a recurring nightmare I've had for maybe the past two years. The body was rotting and had the most terrifying eyes, I can only describe them as round doll's eyes that had sunken into melting flesh, with tiny pupils. I used several references to create this, and to finish it I'm going to fill in some of the areas with grey watercolour. The finished work will be 4x4 so I'm going to cut it down to size at the end. 






This piece is nowhere near finished, but the claw-looking hands are meant to represent ribs that are pulling the woman back and down, her facial expression is terrified and is surrounded by flowers, mushrooms, etc - to represent how some people think that ED's are 'sunshine and rainbows, easy to come out of' - that some people want EDs and promote them, yet they're actually very real, terrifying parts of a lot of people's lives. This piece will include watercolour, especially for the flowers and mushrooms, but I still want it the colours to look soft and light as opposed to really bright and vibrant. 











This is another sketch I did, although this probably won't make the portfolio because it has nothing to do with nightmares, I was just working on drawing hands from reference and it turned out okay. 



A horrible little sketch I was working on, I'm only showing this because the combination of dark, blacked out space, some white, and red highlights is what I want the portfolio to look like - red's gonna be a prominent colour on the board as people associate the colour with horror, nightmares, blood, etc. 

My next steps are to continue cranking out proper art and not just sketching random things, to work on the layout of my board and stick the first two nearly-finished pieces onto it, after I finish them of course. 


 





Wednesday, 22 July 2020

Eng 1.8 | Introduction to Connections

Theme for connections- “Through the eyes of a child”

We will read/view/study and write about 4 texts that present some kind of conflict, crisis or dilemma that a child experiences. We as the audience experience this through their eyes. We are not studying children’s books/films as such (texts written for children), but rather, texts written about children.


Text 1/4 - Jojo Rabbit movie


  1. How does viewing this text through a child’s perspective change the way we experience it? Explain using an example from the text. Jojo Rabbit was based on World War II; the holocaust, Hitler, and Nazi Germany were all prominent themes in the film. By viewing the film from Jojo's perspective, we see Hitler's action and life in Nazi Germany through the eyes of a naive, easily-manipulated child, reflecting on the true perspectives of Hitler's followers in World War II and comparing their views to those of a gullible child like Jojo in a satirical, impressionable way.

  2. How would this text be different if it were told from the perspective of an adult? How would the audience’s experience be different? If Jojo Rabbit were told from the eyes of an adult- such as Rosie or Captain K - we would see the film from a very different perspective, and from more of a fixed opinion, as the adults were both more educated on the ethics and ideology of the Nazi party. Seeing Jojo Rabbit from a perspective of an adult, who would be much more educated and opinionated, would take away how Jojo was manipulated by the different people - notably Elsa and his mother Rosie - and how his own experiences changed the perspective. It would be a much more biased perspective on World War II and take away the satirical, mocking elements of the film.

  3. Why did the filmmaker or author decide to tell this story from a child’s perspective? By telling the story from Jojo's perspective, it was more impressionable on the audience, as we see the once-innocent Hitler Youth scout Jojo, and how meeting Elsa, a jew, and the killing of his mother, Rosie, changed his own perspective on the war and Hitler. The audience is able to emphasise with Jojo's experiences and emotions, and how he realises the reality of the war and how awful it was.

  4. How are children represented in the text? How are adults represented in the text? As Jojo is a child he is surrounded by other kids of his own age- they are represented as just normal kids- innocent, playful and optimistic about the world - despite the ongoing issues going on around them. Furthermore, adults are represented differently on the views we learn they have - Captain K, the Gestapo, the Hitler Youth leaders, etc - are represented almost childlike, immature and carefree on their views - whereas Rosie, who we learn was strongly against the views of the Nazi party, was represented as very hidden and secluded, always busy, always mysterious.


5. Does imagination help the young hero to cope? How so? Provide an example.
 Jojo's imaginary companion, Hitler, helped him to cope for majority of the film - he always was there when Jojo felt lonely, confused, or needed encouragement, and more often than not, Jojo would always end up much more energetic after talking to his imaginary companion. For example, at the start of the movie, when Jojo was feeling nervous about starting at Hitler Youth boot camp, Hitler 'hyped' him up, and instead of being nervous, he was really energetic and pumped up to go to camp. 

6. Does this text connect in any other ways to the other texts you have read/viewed? How so? Provide evidence and explain.
 Jojo Rabbit is definitely connected to lots of other literature- historical fiction, fiction, films, etc. But one connection I made was to The Boy in The Striped Pyjamas, another film about a young kid in Nazi germany.
 

Monday, 20 July 2020

"Bipolarity Of All"

if below us and in sadness is hell,
if above us and the sun is happiness,
and the divided lands we roam is everything in between,
then these wingsー the only immortality we as humans may all shareー
have flown me everywhere. 

"Anemoia"

when i think of us, i have a thirst for home-

a home which i cannot return to, a home which maybe never was. 

i ache with nostalgia for a past excluded from history,

because life in itself is merely a distraction,

from both a mindless yearning for your touch-

and whelming grief for an abandoned innocence of childhood.




L1 Food+Nutrition Unit | Cooking Methods

Cooking methods are relevant to what nutrients you want to cut out or even include in your meal plan. For example, stir-frying, deep-frying, etc are not great cooking methods to use if you are wanting to cut out or limit fat and salt in your meal plan. Cooking methods should still be appropriate to the food you're cooking.